"It was that I felt that I'd done as much as I could do there . I didn't know what direction I could go, apart from across the sea."

“Things have changed, sound systems now work - on occasion. Various things are made easier in some ways for the artists. All the things I used to want to do and get right, and became known as being difficult cause I wanted them... they are now part of a parcel of a tour, and it will be a delight to work under that system.”

“The magic of my situation with Johnny Franz was that he allowed me the freedom to follow my enthusiasm. He’d sit in the control room while I’d go out and scowl at the musicians. It was very difficult for them because they’d never heard this stuff before. I’m asking somebody with a stand-up bass to play Motown bass-lines, and it was a shock. The ones who thought I was a cow I didn’t work with again. The ones who wanted to learn with me, they had the greatest time. Johnny had played piano for Anne Shelton, and had perfect pitch. Bless his heart, he’d sit there and read Popular Mechanics. But he had good ears, he’d suddenly look up from Popular Mechanics and go, E flat! I never took the producer’s credit for two reasons. For one, he deserved it and I was grateful. And then there was the calculating part of me that that thought it looked too slick for me to produce and sing. Because women didn’t do that. And there remains in the British audience, though less so, that attitude of ‘Don’t get too slick on us. Don’t be too smart or we won’t love you.’ And I wanted to be loved.”

“People resent change, I think in some ways, but they forget that they've changed too. I think most of us changed for the better rather than the worst.”

“I'm glad to see that royality isn't confined to the box.”

“Official Dusty Springfield Website”

“BBC's Dusty Springfield Music Page”