"I was making very aggressive provocative paintings. Whether the Rachel paintings, or the Diana paintings, I've sensed over the three or four years that I've been in getting press attention, I've sensed that it has not been that long since the woman painter was not allowed in the Royal Academy, and not allowed to paint nude men, and thee is such a huge body of work that men have made, versus the small body of work made by women, that I am not surprised to get this response."

“You’re very vulnerable when you’re naked. The psychology is a bit weird. It’s all in the eyes between the two people so you’ve got to be confident. You’ve really got to pretend you are enjoying it. I tended to have lots of conversations with lonely old men and to meet lots of nutters as well. I have incredible tolerance for darkness. I can take on board quite a lot of damaged people, but it takes its toll psychologically.”

“I wanted my work to be seen for free in a public space, I want to be up there with Pollock and de Kooning, one of the big boys.”

“Ingels: Even in the most horrendous situations there is always something to smile about.”

“Whitear painting controversy, The Guardian 16 March 2004”

“I identify with people like Diana who just want to be loved by everybody. If somebody doesn’t like me I find that very upsetting.”

“Books are my one luxury.”