"We properly judge a critic's virtue not by his freedom from error but by the nature of the mistakes he does make, for he makes them, if he is worth reading, because he has in mind something besides his perceptions about art in itself — he has in mind the demands that he makes upon life."

“We are all ill; but even a universal sickness implies an idea of health.”

“It is now life and not art that requires the willing suspension of disbelief.”

“Disgust is expressed by violence, and it is to be noted of our intellectual temper that violence is a quality which is felt to have a peculiarly intellectual sanction. Our preference, even as articulated by those who are most mild in their persons, is increasingly for the absolute and extreme, of which we feel violence to be the true sign. The gentlest of us will know that the tigers of wrath are to be preferred to the horses of instruction and will consider it intellectual cowardice to take into account what happens to those who ride tigers.”

“The writer must define his audience by its abilities, by its perfections, so far as he is gifted to conceive them. He does well, if he cannot see his right audience within immediate reach of his voice, to direct his words to his spiritual ancestors, or to posterity, or even, if need be, to a coterie. The writer serves his daemon and his subject. And the democracy that does not know that the daemon and the subject must be served is not, in any ideal sense of the word, a democracy at all.”

“The doctrines of Calvinism involved a reversal of values with which Arnold became increasingly concerned. Work had always been a curse and a means, but it had now turned into a blessing and an end. The production of goods had become an end in itself and the consumption of goods only the means to further production. The factory was not made for man but man for the factory.”

“The poet is in command of his fantasy, while it is exactly the mark of the neurotic that he is possessed by his fantasy.”