"Maybe it’s because I’m older now, but there was something about the Seventies and Eighties. It was ‘the magic of the movies’. You would go to the cinema and have this magical, transportive experience, all because of the amount of love in the movies themselves. Particularly with those Indiana Jones movies, and almost everything Spielberg did, you could feel the passion behind the stories. Blockbusters nowadays have gotten a little corporate. A little jaded and cynical with their audiences. That amateur feel – for creating a magical experience – that’s something I want to see in my art."

“I'm a bit of a punk in my essence and in my core. I'm a bit of an artist and a trickster and, you know, I believe in sort of tearing up the status quo for what people expect you to do.”

“That light that begins to die is so sad to watch. I think at 15, you can still live the dream a little bit, right? be broke and go live in New York or wherever and try and be an artist — if you're in it for the right reasons.”

“I think that the biggest thing I've learned in terms of pursuing careers is that the things that you're most embarrassed about yourself, the things that you feel like are ugly, the things that you really have a hard time with about yourself, are probably the things that are most beautiful about you and they should be embraced and shared with the world.”

“I just got on Twitter a couple years ago but I never really used it because nobody followed me and then the show came out and it became an onslaught and I got addicted. … I read tweets, fan art and fan fiction about Hopper and Joyce . I love the passion of the fans. I’ll read it all day — Hopper-Joyce making out. I’ll read it.”