"Neither the universal return to life, universal resurrection, nor even death itself, have hitherto been the subject of knowledge or well founded judgement. For there would have been full, detailed investigations into the reasons and conditions that have given rise to the phenomenon. For most people, death appears to be an absolute, inevitable phenomenon; but just how unfounded is this conclusion is obvious from the fact that it is considered acceptable to talk about the opposite of death, about immortality, and even about resurrection; and it is talked about as a possibility, in circumstances where all sorts of sins prevail among people, and all sorts of calamities and evils, arising from the folly of nature. But if the coexistence of the one with the other is unthinkable, since the one excludes the other, then can one talk about the possibility of death where there is moral and physical sinlessness, where nature shows such a benign attitude both within and outside man, of the sort that is deemed possible when man's knowledge and control of nature are complete?"

“What will nature — which, in its present, unconscious state, is a force that procreates and kills - become when it achieves consciousness, if not a force restoring what it has destroyed in its blindness ? How senseless are statements about the incommensurability of the forces of man, that is, of nature striving towards consciousness and control, and the forces of the same blind nature. And should one term 'human force' merely that of man's own hand, or include what he can achieve through nature ? And are human force and human activity to be limited to what man achieves now by using the forces of nature ? Why, the true, the natural task has not even begun...”

“The principle of disunion and inactivity informs all three Critiques. The philosophy of art which he embodies in his Critique of Judgement does not teach how to create, but only how to judge the aesthetic aspects of works of art and of nature. It is a philosophy for art critics, not for artists and poets. In the Critique of Judgement, nature is regarded not as an object to be acted upon and transformed from a blind force into one governed by reason, but merely as an object of contemplation to be judged on its aesthetic merits; not from the point of view of morality, which would recognise it as destructive and death-bearing...”

“he rural problem is loss of kinship between men who, through ignorance, forget their relatedness, and the hostility of nature to humans, which is felt most acutely if not exclusively in villages, where people confront the blind force directly; whereas townsfolk, being remote from nature, may think that man lives at one with nature.”

“The grief of a son mourning the death of his father is truly universal, because death as a law of blind nature could not fail to arouse intense pain in a being who has attained consciousness, and who can and must achieve the transition from a world dominated by this blind force of nature to a world governed by consciousness, and where there is no place for death. This universal grief is both objective because of the universality of death and subjective because mourning a father's death is common to all. Truly universal grief is the regret for having been lacking in love for the fathers, and for one's own excessive self-love. It is sorrowing for a distorted world, for its fail, for the estrangement of sons from fathers and of consequences from causes.”

“How unnatural it is to ask, ‘Why does that which exist, exist?' and yet how completely natural it is to ask, ‘Why do the living die?”

“The problem of the force which brings the two sexes to unite and give birth to a third being is also a problem of death.”