"Some people say my poetry is sensual. It may be that some are like that. Still, a correct view opposes it. Nothing "sensual" can be the motive of my poetry. It is a chord over the keynote. Or an ornament. I am not a man who can get intoxicated on the senses. What I truly try to sing of is different. It is that atmosphere—the sound of a fife you hear on a spring night. It is not the senses, not a passion, not an excitement, but simply the nostalgia of a cloud that quietly drifts in the shadow of a soul. It is a tearful yearning for a reality far, far away."

“Thus I make poetry. Like the moths that swarm around a lantern, deceived by the phantom of certain flowery mysterious sentiments, trying to touch the essence of invisible reality, I vainly flap, flap my wings as fragile as sponge cake. I am a pitiable fantasizing child, the sad fate of a moth.”

“o me poetry is neither a mystery nor a religion. Even less is it "a life-or-death work" or "a sacred way of ascetic training." It is nothing more than "a sad consolation" for me.”

“When I think of poetry, I feel its fierce human suffering and its joy.”

“is the voice of a blue heron calling in the marshes of life, the sound of a wind darkly whispering over the reeds on a moonlit night.”

“ll philosophers must surrender to the poet when they arrive at the end of their intellectual exploration. Only the universe that the poet intuits far above the common senses is the true metaphysical reality.”

“he octopus did not die. Even after he disappeared, he still was eternally alive there. In the antiquated, empty, forgotten water tank of the aquarium. Eternally—most likely through many centuries—an animal with a certain horrible deficiency and dissatisfaction was alive, invisible to the human eye.”