"Translation as Performance Art" – Ear to Asia"

“China's greatest work of literature, the 18th-century novel Dream of the Red Chamber, ... is still virtually unknown in the English-speaking world. In its native land, The Story of the Stone, as the book is also known – Stone for short – enjoys a unique status, comparable to the plays of Shakespeare. Apart from its literary merits, Chinese readers recommend it as the best starting point for any understanding of Chinese psychology, culture and society.”

“'s an absolutely magical work. ... It's about everything, so much detail, and yet the bigger picture is so inspiring. It's about that extraordinary cross connection between human feelings and the ability to see through human feelings – kan po hong chen（看破紅塵). But even though you kan po hong chen, you still have strong feelings. That's what so special about The Stone. It captures that. For me that's what I read about. Every time you read, you find more depth, more detail. ... The author communicates – for lack of a better word, what I would just call – love. It's a love for humanity.”

“When reading, writing and translating, it is important to have a way of keeping track of what you have absorbed and learned, so that you can build on it and acquire richer resources for the future. When reading, read actively and critically. Jot down interesting expressions, forceful adjectives, little turns of phrase, that strike you as effective, as things you might one day be able to use yourself—in both languages.”

“Love is one of the great mysteries of life. There is nothing more sacred, nothing more mysterious, nothing more powerful. I come back to that – great literature is nearly always full of love, in a very broad sense. ... You come out of the book with a warm feeling.”

“The Art of War is about how to take advantage of your neighbours, how to destroy people, how to succeed at the expense of other people.”

“We must never lose sight of the deep and indestructible connections between translation/literature and life. If what we write is to have a chance of living on the page, then we must also live, we must observe life, we must experience and learn to transmute that experience. Translators no less than creative writers.”