"You please me much by saying that no other fault is to be found in your picture than the roughness of the surface; for that part being of use in giving force to the effect at a proper distance.. ..I urn much better pleased that they should spy out things of that kind than to see an eye half an inch out of its place or a nose out of drawing when view'd at a proper distance. I don't think it would be more ridiculous for a person to put his nose close to the canvas and say the colours smell offensive than to say how rough the paint lies; for one is just as material as the other with regard to hurting the effect and drawing of a picture. For Sir Godfrey Kneller used to tell them that pictures were not made to smell of.."

“We love a genius for what he leaves and mourn him for what he takes away.”

“..though I'm a rogue in talking upon Painting and love to seem to take things wrong I can be serious and honest upon any subject thoroughly pleasing to me.”

“I am much obliged to you for your last letter, and the lessons reed, before. I think I now begin to see a little into the nature of modulation and the introduction of flats and sharps ; and when we meet you shall hear me play extempore..”

“When the streets are paved with brilliants and the skies made of rainbows I suppose you'll be contented and satisfied with red, blue and yellow.. ..how to satisfy your tawdry friends while you steal back into the mild evening gleam and quiet middle term. I'll tell you, my sprightly genius, how this is to be done. Maintain all your lights, but spare the poor abused colours till the eye rests and recovers. Keep up your music by supplying the place of noise by more sound, more harmony and more tune, and split that cursed fife and drum.. ..he must feel the truth of what I am now saying, that neither our plays, paintings or music are any longer real works of invention, but the abuse of Nature's lights and what has been already invented in former times.”

“It is in some respects a little in the schoolboy stile - but I do not reflect on this without a secret gratification; for, as an early instance how strong my inclination stood for Landskip , this picture was actually painted at Sudbury in the year 1748; it was begun before I left school; - and was the means of my Father's sending me to London. It may be worth remark that though there is very little idea of composition in the picture, the touch and closeness to nature in the study of the parts and minutia are equal to any of my latter productions. In this explanation I do not wish to seem vain or ridiculous, but do not look on the Landskip as one of my riper performances. It is full forty years since it was first delivered by me to go in search of those who had taste to admire it! Within that time it has been in the hands of twenty picture dealers, and I once bought it myself during that interval for nineteen Guineas. Is not that curious? - Yours, my dear Sir, most sincerely, Thomas Gainsborough.”

“..as I met with Mr. . shines in all he says. In short, Mr. Jackson of Exeter , I begin to think there is something in the air of Devonshire that grows clever fellows. I could name four or five of you, superior to the product of any other county in England.”