"Constable, an admirable man, is one of England's glories. I have already told you about him and about the impression he had made on me when I was making 'The massacre at Chios'. He and Turner were real reformers. They broke out of the rut of traditional landscape painting. Our School , which today abounds in men of talent in this field, profited greatly by their example. Géricault came back in a daze from seeing one of the great landscapes Constable sent us."
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