Céline Sciamma

"We call models ‘muses’, and that’s mostly what’s left in the history of art for women artists...Dora Maar was the muse of Picasso but also a photographer at the centre of the surrealist scene. And Gab…"

"We want people to have their heart broken and think about themselves, but enjoy this experience of this strong love story...But it’s also about the memory of a love story. It’s a lot about the present…"

"The last scene came really, really early, disconnected from even the idea of a woman painter…I wanted to write a love story and I thought, ‘What do I want to tell?’ And that scene came up really, real…"

"It’s a very bourgeois industry. There’s resistance to radicalism, and also less youth in charge. ‘A film can be feminist?’ They don’t know this concept. They don’t read the book. They don’t even know …"