Art

Anthony Burgess on Art

Browse 11 quotations attributed to Anthony Burgess, catalogued under art, with dates where available.

Music
United Kingdom
11 quotes

This page displays 11 quotations attributed to Anthony Burgess and filed under "art" in QuoteLineage. The selection is ordered by stored importance and quality scores, not citation counts. A topic label describes how an entry is catalogued; it does not establish the theme's importance in the author's work.

Attributed to Anthony Burgess, entry #55010: "…for thy huggest thy bolster, which men call a Dutch wife in some parts."

Attributed to Anthony Burgess, entry #103854: "There was a certain creative excitement, expressed in glandular constrictions which he knew well."

11 Quotes by Anthony Burgess on Art

"…for thy huggest thy bolster, which men call a Dutch wife in some parts."

— Anthony Burgess

"There was a certain creative excitement, expressed in glandular constrictions which he knew well."

— Anthony Burgess

"The dog looked up through its hairy yashmak and farted."

— Anthony Burgess

"The dog now slept, occasionally farting very gently."

— Anthony Burgess

"Martin Seymour-Smith, Novels and Novelists, 1980."

— Anthony Burgess

"Every grain of experience is food for the greedy growing soul of the artist."

— Anthony Burgess

"Well before James Joyce, Conrad was forging a vocabulary for the contemporary soul. This book grants us another opportunity to brood over a notable literary martyrdom."

— Anthony Burgess

"All art preserves mysteries which aesthetic philosophers tackle in vain."

— Anthony Burgess

"‘But you like her, don’t you?’ asked Howarth. ‘You like Mrs Connor?’ For himself, thought Howarth, he did not particularly like Mrs Connor. He desired Mrs Connor, however."

— Anthony Burgess

"Imams and muftis and kathis sat here on cushions, turbaned elders who had risen above the squalor of the flesh. The heat was tamed by wide-eyed boys with feathery fans. One of the muftis much admired one of these boys, and he stroked his buttocks with a gentle hand. The smell of the holy was wafted towards entering Bonaparte, who said with care:"

— Anthony Burgess

"I had felt sick before and had been saved by Sekt. Now I was beginning to feel sick of the Sekt. I would, I knew, shortly have to vomit.... I started gently to move towards one of the open windows. The aims of the artistic policy enunciated by the National Chamber of Film might, said Goebbels, be expressed under seven headings. Oh Christ. First, the articulation of the sense of racial pride, which might, without reprehensible arrogance, be construed as a just sense of racial superiority. Just, I thought, moving towards the breath of the autumn dark, like the Jews, just like the. This signified, Goebbels went on, not narrow German chauvinism but a pride in being of the great original Aryan race, once master of the heartland and to be so again. The Aryan destiny was enshrined in the immemorial Aryan myths, preserved without doubt in their purest form in the ancient tongue of the heartland. Second. But at this point I had made the open window. With relief the Sekt that seethed within me bore itself mouthward on waves of reverse peristalsis. Below me a great flag with a swastika on flapped gently in the night breeze of autumn. It did not now lift my heart; it was not my heart that was lifting. I gave it, with gargoyling mouth, a litre or so of undigested Sekt. And then some strings of spittle. It was not, perhaps, as good as pissing on the flag, but, in retrospect, it takes on a mild quality of emblematic defiance..."

— Anthony Burgess