Anthony Burgess on Books

"‘…you read mostly menus and the moles on whores’ bellies….’"

"…English translation of the Koran. I wonder how, with such a repetitive farrago of platitudes, expressing so self-evident a theology and an ethic so puerile, Islam can have spread as it has."

"Read Paris Review's interview with Anthony Burgess"

"Malcolm Bradbury, The Modern British Novel, 1993"

"Anthony Burgess Reads from A Clockwork Orange"

"99 Novels: The Best in English since 1939"

"The Antipods…were always ready to burst."

"We can no longer expect the one big book, the single achievement, to be an author's claim to posterity's regard. We shall be more inclined to assess the stature of a novelist by his ability to create what the French call an oeuvre, to present fragments of an individual vision in book after book, to build, if not a War and Peace or Ulysses, at least a shelf."

"Journalism may not dare too much. It can be gently humorous and ironic, very lightly touched by idiosyncrasy, but it must not repel readers by digging too deeply. This is especially true of its approach to language: the conventions are not questioned. The questioning of linguistic conventions is one of the main duties of what we call literature."

"Goebbels...now made an applauded entrance. He was no man to improvise a word or two of greeting; he had typewritten sheets.... He spoke of the cinema as the popular voice of the state...those products, themselves a means of cleansing the world film market through their purity and excellence of the regrettable decadent ordures excreted by international Jewry...."

"The rain eased off, but the streets were greasily wet, rainbowed with oil. I went to the bank for more five-pound notes, stood like a pauper in the public library reading the Christian Science Monitor, then went for the first drinks of the day to a dive-bar popular with merchants. Hungarian refugees waited on at the tables and a West Indian negro collected dirty glasses – we were all exiles together."

"Dr Williams’s book is about a number of nineteenth-century French writers who caught syphilis and probably died of paresis. They are Baudelaire, Jules de Goncourt, Flaubert, Guy de Maupassant and Daudet. A similar book could probably be written about nineteenth-century British writers, including such unlikely victims of syphilis as John Keats and Edward Lear. People were not so frightened of the disease as we are. Few physicians saw the connection between cerebral degeneration and the primary chancre: when the secondary stage of the infection had healed, it was generally assumed that everything was over and lightning would not strike the tree again. This was Baudelaire’s belief. One could even rejoice at picking up the pox: it was not merely an inoculation; it advertised one’s virility to the world...."

"Whether the French were better colonists than the British is an academic question, but at least such Frenchmen as were planting in Malaya were kept sane by their own culture and some of them produced memorable novels based on their Malayan experiences. The British were mostly philistines, and they left behind a heritage of philistinism. Kampung culture is dying, and a metropolitan culture of art galleries and orchestras seems unlikely to arise. What there is, and flourishing too, is a materialist consumerism that is threatened from the north by the communists and from the west by the militant Islam of the ayatollahs. Mr Butcher’s book deals with a race of people who may well be surveyed in terms of anthropological generalities. There was no room for the brilliant or the eccentric. British Malaya was created by courageous and suffering mediocrities. The building of Singapore in 1819 was a rather different affair."

"Stamping around, waiting, I cursed England aloud, hands dug deep into pockets, dancing to the wind that knocked in vain at the Sunday shops. Cigarette-packets, football fixtures, bus-tickets sailed by in dust-ghosts of Saturday. A woman with a puce face and a blancmange-coloured prayer-book was waiting also for The Priest and Pig, and she looked puce disapproval at me. Twenty minutes late, the bus yawned in from town, near-empty, and it swallowed us in a gape of Sunday ennui. So we sundayed along, rattling and creaking in Sunday hollowness, I upstairs, tearing my elevenpenny ticket while I read the prospectus of Winter Commercial Classes stuck on the window."