Art × Love

Art and Love

Browse 30 quotations catalogued under art with "love" in the text or topic label.

30 quotes

This collection contains 30 quotations filed under Art with "love" in the quote text or topic label. These keyword matches offer a starting point for exploring Art and Love; they do not by themselves establish a shared argument or a historical connection between the authors.

The authors represented include Erich Fromm, Baruch Spinoza, William Blake, Leon Trotsky, and others. Read each quotation in its own context rather than assuming that these authors share a position.

One matching quotation reads: "Infantile love follows the principle: "I love because I am loved." Mature love follows the principle: "I am loved because I love." Immature love says: "I love …" The full quotation appears below.

Another matching quotation reads: "...But when it comes to the subject of the arts, Spinoza is oddly reticent. His failure to consider the aesthetic response—surely a profoun…" Compare the wording and surrounding context to decide how each passage relates to your question.

Use the quotation links to explore individual entries and the author links to visit their profiles on QuoteLineage. For broader reading beyond these keyword matches, explore all Art quotes or the concept page for Love.

30 Quotes on Art and Love

"Infantile love follows the principle: "I love because I am loved." Mature love follows the principle: "I am loved because I love." Immature love says: "I love you because I need you." Mature love says: "I need you because I love you."

— Erich Fromm

"...But when it comes to the subject of the arts, Spinoza is oddly reticent. His failure to consider the aesthetic response—surely a profound facet of human experience—is all the stranger when one compares him, again, to Plato who directs as much conflicted pondering to the arts, particularly to poetry, as to erotic love."

— Baruch Spinoza

"How have you left the ancient loveThat bards of old enjoyed in you!The languid strings do scarcely move!The sound is forced, the notes are few!"

— William Blake

"There may be no philosopher in history who has received greater attention in artistic, literary and popular culture than Bento de Spinoza . His life, ideas and influence have been the subject of numerous novels, plays, poems, paintings, sculptures, even musical pieces and opera. His name and his visage have been used in the marketing of various items in the worlds of entertainment, leisure and consumption, from cafés to rock bands to bagels. A relatively simple explanation for Spinoza's unusually high profile outside the walls of academia is at hand. Spinoza was the most radical and iconoclastic thinker of his time. His ideas on religion, politics, ethics, human psychology and metaphysics, presented in difficult and sometimes mystifying treatises, lay the groundwork for much of what we now regard as “modern.” Perhaps most enticing of all, he was excommunicated from the Amsterdam Portuguese-Jewish community as a young man for reasons that remain obscure . Everyone loves a rebel—especially one whose values they likely share and whom, they feel, was unjustly punished by those in power."

— Baruch Spinoza

"Socialist authors promise not only wealth for all, but also happiness in love for everybody, the full physical and spiritual development of each individual, the unfolding of great artistic and scientific talents in all men, etc. Only recently Trotsky stated in one of his writings that in the socialist society "the average human type will rise to the heights of an Aristotle, a Goethe, or a Marx. And above this ridge new peaks will rise.” The socialist paradise will be the kingdom of perfection, populated by completely happy supermen. All socialist literature is full of such nonsense. But it is just this nonsense that wins it the most supporters."

— Leon Trotsky

"There is no time for cut-and-dried monotony. There is time for work. And time for love. That leaves no other time."

— Coco Chanel

"Art and love are the same thing: It’s the process of seeing yourself in things that are not you."

— Chuck Klosterman

"It is good to love many things, for therein lies the true strength, and whosoever loves much performs much, and can accomplish much, and what is done in love is well done."

— Vincent van Gogh

"There is nothing more truly artistic than to love people."

— Vincent van Gogh

"I would love to paint a large landscape of Moscow — taking elements from everywhere and combining them into a single picture—weak and strong parts, mixing everything together in the same way as the world is mixed of different elements. It must be like an orchestra.. .Suddenly I felt that my old dream was closer to coming true. You know that I dreamed of painting a big picture expressing joy, the happiness of life and the universe. Suddenly I feel the harmony of colors and forms that come from this world of joy."

— Wassily Kandinsky

"The principle of this art is not a negation of matter, but a great love of matter, whereby it is seen in the highest, most intense manner possible, and depicted in the artistic creation."

— Piet Mondrian

"I started those . Now I'm doing them all over, putting bright colors on her lips and eyes. My next series will be pornographic pictures, they will look blank; when you turn on the black lights, then you will see them - big breast and.. .If a cop came in, then you could just flick out the lights or turn to the regular lights. How could you say that was pornography?. ..Segal did a sculpture of two people making love, but he cut it all up, I guess because he thought it was too pornographic to be art.. .The thing I like about it is that it makes you forget about style and that sort of things; style isn't really important."

— Andy Warhol

"..I want a lovely life; in order for it to be, harmony and style are necessary. I avow mine to the key of aesthetic sentiment – the constant permanent creation everywhere and in every one. All is false there, all is true. The truth is the desire to see falsely. I do not want the naked truth; it is the principle of my life. It is that which makes my life one which is artistic and complete. Feelings, events, people and things, such as they are, are nothing to me. I wish them invented, illusory, false in so far as true life and in so far as art."

— Marianne von Werefkin

"Everyone wants to understand painting. Why don't they try to understand the song of the birds? Why do they love a night, a flower, everything which surrounds man, without attempting to understand them? Whereas where painting is concerned, they want to understand. Let them understand above all that the artist works from necessity; that he, too, is a minute element of the world to whom one should ascribe no more importance than so many things in nature which charm us but which we do not explain to ourselves. Those who attempt to explain a picture are on the wrong track most of the time. Gertrude Stein, overjoyed, told me some time ago that she had finally understood what my picture represented: three musicians. It was a still life!! ."

— Pablo Picasso

"Suppose the neutral angels were able to talk to Yahweh and Lucifer — God and Satan, to use their popular titles — into settling out of court. What would be the terms of the compromise? Specifically, how would they divide the assets of their earthly kingdom? Would God be satisfied to take loaves and fishes and itty-bitty thimbles of Communion wine, while allowing Satan to have the redeye Gravy, eighteen ounce New York steak, and buckets of chilled champagne? Would God really accept twice-a-month lovemaking for procreative purposes and give Satan the all-night, no-holds-barred, nasty "can't-get-enough-of-you" hot-as-hell fucks?"

— Tom Robbins

"You can see the roughness of structure and the spots like wounds from battles on the canvas. The tops of skyscrapers with windows like eyes constantly remind you that there are laws surrounding the wastelands, and so you hide in the deep grass when you make love to a girl in dirty clothes, and experience how your nerves of seeing become stronger and stronger and every little sound more and more intense. That's what Pasolini's poetry is partly about; he was a street guy and therefore I avoided beautiful new wood or metal for his sculpture.. .The wasteland was Pasolini's other side; the boys, the knives, the nights, the tensions."

— Karel Appel

"The more I think it over, the more I feel that there is nothing more truly artistic than to love people."

— Vincent van Gogh

"One day Pierre Loeb said to me that the ideal picture is one which is completely clear in the artist's mind before he puts a mark on the canvas, and this was, at any rate in this period.. ..Léger's opinion. It is the basis on which classical art is built. Therefore the setting-down of the picture on the canvas is in itself something quite unimportant. This is connected with Léger's hatred of textural effects in painting. But I love these effects. I remember that I was once told off because I had applied a thick layer of color instead of the thin and even layer that Léger wanted. To him that was not painting but mere color. If he could have got a machine instead of a brush to apply the color, he would have done so."

"Art on the other hand speaks to us of resignation and rejoicing in reality, and does so through a transformation of our experience of the world into an order wherein all facts become joyous; the more terrible the material the greater the artistic triumph. This has nothing at all to do with "a constant awareness of the problems of our time" or any other vague public concern. It is a transformation that is mysterious, personal and ethical. And the moral effect of art is only interesting when considered in the particular. For it is always the reality of the particular that provides the occasion and the spring of art — it is always "those particular trees/ that caught you in their mysteries" or the experience of some loved object. Not that the matter rests here. It is the transcendent imagination working on this material that releases the mysterious energies which move and speak of deepest existence."

— Patrick Swift

"I tell you, struggle is what is missing in the lives of most young people today. If they think I'm going to support them while they create great works of art, then they've missed the point of my work, of my life! In the process of becoming a writer or an artist one has to be willing to starve. Struggle is the most invaluable experience of all. Suffering seems to be the inevitable fate of the creative sensitive types. Poverty, disease, death, unrequited love affairs, and disappointments of every sort fan the flame of the artistic spirit. The greatest works of art were not created by spoiled brats. They were born for the most part out of a sense of despair, and if not despair then just plain hard work. Somewhere along the line the artist learns the art of transformation."

— Henry Miller

"It is where life is fundamental and free that men develop the vision needed to reveal the human soul in the blossoms it puts forth. … In a great workshop like Chicago this creative power germinates, even though the brutality and selfish preoccupation of the place drive it elsewhere for bread. Men of this type have loved Chicago, have worked for her, and believed in her. The hardest thing they have to bear is her shame. These men could live and work here when to live and work in New York would stifle their genius and fill their purse.... New York still believes that art should be imported; brought over in ships; and is a quite contented market place. So while New York has reproduced much and produced nothing, Chicago’s achievements in architecture have gained world-wide recognition as a distinctively American architecture."

— Frank Lloyd Wright

"I have retained a belief that it is the popular sporty kids at school who grow up to have the least interesting lives, and the unhappy young souls who develop into the most extraordinary adults. Whoever heard of a creative genius being understood as a child and well loved by his class mates? Who like to imagine an artist who emerged into adulthood content with his lot? And, conversely, how satisfying to hear that almost without exception, the untroubled, popular kids at school have ended up blandly as accountants, solicitors or ‘in IT’. Hold on, misfits, your day will come."

— Derren Brown

"I'm taking it for granted here that there is a Source or God, but that our visions of such a vast psychological reality are limited, even shoddy and destructive. The idea of a crucified God to me at least is aesthetically appalling, for example. Why not a God who loves earth and life for a change? If we're going to insist upon a superhuman God, then why a distant, tempestuous God 'the father'? Why not a God who has the finest human abilities carried to their fullest; God the superartist, superlover, superartisan or athlete or farmer? At least such designations would upgrade the conventional ideas of a godhead. And of course Christianity leaves out any goddesses, so that along with Darwinian and Freudian theories religion is not just parochial but 'sexist' as well. And no one ever talks about Christ, the lover of women . . ."

— Jane Roberts

"If the young are watched too closely, if they are kept habitually under surveillance, the spring of action is weakened, the power of initiative is destroyed, and they become mediocre, commonplace, mechanical men and women, from whom nothing excellent or distinguished may be expected. Parents and teachers … must so deal with the young as to bring them little by little under the control of reason and conscience; and in this, nothing thwarts more surely than excessive supervision, for it draws attention from the inner view and voice to the eyes of the watchers. It may cultivate a love of decency and propriety, but not the creative feeling that we live with God and that righteousness is life."

— John Lancaster Spalding

"In our time it has been seen, as I hope to show quite shortly, that simple children, roughly brought up in the wilderness, have begun to draw by themselves, impelled by their own natural genius, instructed solely by the example of these beautiful paintings and sculptures of Nature. Much more then it is probable that the first men, being less removed from their divine origin, were more perfect, possessing a brighter intelligence, and that with Nature as a guide, a pure intellect for master, and the lovely world as a model, they originated these noble arts, and by gradually improving them brought them at length, from small beginnings, to perfection. I do not deny that there must have been an originator, since I know quite well that there must have been a beginning at some time, due to some individual."

— Giorgio Vasari

"Titian, having adorned Venice, or rather all Italy and other parts of the world, with excellent paintings, well merits to be loved and respected by artists, and is in many things to be admired and imitated also, as one who has produced, and is producing, works of infinite merit; nay, such as must endure while the memory of illustrious men shall remain."

— Giorgio Vasari

"Any art is a concentrated feeling of love elevated to a world view and translated into an artistic language of symbols."

— Marianne von Werefkin

"Literary criticism should arise out of a debt of love. In a manner evident and yet mysterious, the poem or the drama or the novel seizes upon our imaginings. We are not the same when we put down the work as we were when we took it up. To borrow an image from another domain: he who has truly apprehended a painting by Cézanne will thereafter see an apple or a chair as he had not seen them before. Great works of art pass through us like storm-winds, flinging open the doors of perception, pressing upon the architecture of our beliefs with their transforming powers. We seek to record their impact, to put our shaken house in its new order. Through some primary instinct of communion we seek to convey to others the quality and force of our experience. We would persuade them to lay themselves open to it. In this attempt at persuasion originate the truest insights criticism can afford."

— George Steiner

"He who loves God is also able to accept life and to love it. This is not the same as to love God. For many pious people in all generations the love of God is the other side of the hatred for life. And there is much hostility towards life in all of us, even in those who have completely surrendered to life. Our hostility towards life is manifested in cynicism and disgust, in bitterness and continuous accusations against life. We feel rejected by life, not so much because of its objective darkness and threats and horrors, but because of our estrangement from its power and meaning. He who is reunited with God, the creative Ground of life, the power of life in everything that lives, is reunited with life. He feels accepted by it and he can love it. He understands that the greater love is, the greater the estrangement which is conquered by it. In metaphorical language I should like to say to those who feel deeply their hostility towards life: Life accepts you; life loves you as a separated part of itself; life wants to reunite you with itself, even when it seems to destroy you."

— Paul Tillich

"In my search for these values I like to work both realistically and abstractly. In my drawing and painting I turn from one to the other as a necessity or impulse and not because of a preconceived design of action. When drawing what I see I am usually most conscious of the underlying principle of abstract form in human beings and their relationship one to the other. In making my abstract drawings I am most often aware of those human values which dominate the structure and meaning of abstract forms. Sculpture is the fusion of these two attitudes and I like to be free as to the degree of abstraction and realism in carving. The dominant feeling will always be the love of humanity and nature; and the love of sculpture for itself."

— Barbara Hepworth

Key thinkers on this theme

Erich Fromm· Psychology Baruch Spinoza· Philosophy William Blake· Art Leon Trotsky· Politics Coco Chanel· Sports

Related ideas in Art

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