Mark Morris (choreographer)

"I don’t, believe it or not. I don’t miss the roar of the crowd. I still get that when I take a bow, if I milk it right. I’m not regretful, but I’m envious sometimes."

"I guess once I finish a dance and release it to the public and we're performing it, I'm kind of done... Well, I love watching it, and I love watching other people's work too if it's really good and in…"

"I was an "other," as people call now. But you know, everybody's other than everybody else...I used what was called the "sissy test" — you know, look at your fingernails; if you do it a certain way, yo…"

"The culture has changed, and times have changed, you know, the whole thing about being queer has changed entirely. So then I was the bad boy, a self-proclaimed homosexual choreographer. In the early ‘…"

"I believe firmly in that theory that the stuff you learn when you’re very, very young, it sort of stays. The very first dance I made up that was any good, I was about 15, and I’ve been wringing change…"

"I like working with grown-up dancers much better, because there’s somebody to talk to at the airport when you’re delayed. In the middle of class, they hate me for it, but I always say, ‘What are you r…"

"If that means that it's not for everybody, then yes. "Elitist" doesn't need to mean wealthy and conservative; it can also mean specialised and rarefied, and that's no bad thing."