"There used to be beggar, a sort of maniac, who would jump up and dance like a monkey while singing tat tarigappa tei ta, tat tarigappa tei ta. Bala would imitate him, both dancing like monkeys... All of us tried to snub him but the beggar could not be turned out. It meant a few coins for him; he made a regular visit to our house and the two used to dance. That was the real starting point for Bala’s dancing mania."

“Video clip Smt.Balasaraswathi-Krishna Nee Begane”

“Perhaps the greatest Indian dancer of the past thousand years.”

“She was the only one where the music and dance were equally important... her dance moves were deeply affected by this... she was able to convey not only the meaning of the dance, but also the emotion of the music. That’s what I liked best.”

“Observation of a relative in”

“Bharatanatyam is grounded in bhakthi. In fact bhakthi is at the center of all arts of India. Our music and dance are two offerings to God...This experience may only occur once in a while but when it does for that little duration, its grandeur enters the soul not transiently but with a sense of eternity. As one gets involved in the art, with greater and greater dedication, one can continuously experience throughout the few hours of the dance, the unending joy, this complete well-being, especially when music and dance mingle indistinguishably.”

“It was my mother, Jayammal, who had me trained as a dancer despite strong family opposition.”