"We cannot go forward and build up this new world order, and this is our war aim, unless we begin to think differently...one must stop thinking in terms of property and power and begin thinking in terms of community and creation. Property is the old-fashioned way of thinking of a country as a thing, and a collection of things in that thing, all owned by certain people and constituting property; instead of thinking of a country as the home of a living society with the community itself as the first test."

“Because most children are highly imaginative, it is supposed by some that to reach maturity we ought to leave imagination behind, like the habit of smearing our faces with jam or chocolate. But an adult in whom imagination has withered is mentally lame and lopsided, in danger of turning into a zombie or a murderer. It is the creative imagination that has given our ruthless bloodthirsty species its occasional gleams of nobility, its hope of rising above the muck it spreads.”

“It's silly for young men to announce themselves as new types of humanity. . .and then give you nothing but stale communism. Old H.G. Wells has more new ideas than the lot of them.”

“I have lived longer than you. I have thought more, and I have suffered more. And I tell you there is more truth to the fundamental nature of things in the most foolish fairy tales than there is in any of your complaints against life.”

“I've been up and down and round about," said the Commodore, "and I've seen a lot of religions at work. And I don't like them. With all due respect, padre. As a matter of fact I'm not thinking about the Church of England, which is something different, something intended to keep the English decent and fairly comfortable and not likely to go tearing off into religion and making nuisances of themselves—”

“The appalling difficulty of examining the Time problem seems to me to be chiefly due to the fact that Time either changes into something else or quietly disappears from the examination room. Trying to keep it fixedly in view is like playing Wonderland croquet.”

“So Tom was left alone again, this time for quite a spell. The place had filled up now and he was gradually pushed back from the bar counter until he found himself closely ringed round by men and girls, nearly all talking hard. They were wildly different in appearance, ranging from the slovenly to the excessively smart, but they were all alike, it seemed to him as he listened to them, in being on the edge of things. They were nearly doing a television series, almost about to have a play done at the Arts, just missing a commission to photograph Sicily for a coffee-table book, possibly writing two songs for a new musical, being asked to try again for that super modelling job. And while they might be all on their way towards ultimate disillusion and misery, just now they were gay and excited, full of enthusiasm for themselves, their work, their enchanting style of life. Tom had met a few men and women of great and widely-recognised talent, large personalities a long way from these edges, people bang in the centre, and they had displayed little or none of this enthusiasm, often seeming dubious, disenchanted, melancholy, weighed down by the sense of responsibility a great talent and reputation bring. But these types, with fuzzy little talents at best and with only the faintest glimmer of reputation, were still enchanted - at least at this hour with drinks in their hands. And not for the first time, Tom wondered about the drinks, which demanded a constant passing of pound notes. Nobody he had overheard so far appeared to have earned any money recently, yet here they were buying double gins and whiskies.”