"The people who’ve done well within the system are the people whose instincts, whose desires — who want to make the kind of movies that producers want to produce. People who don’t succeed — people who’ve had long, bad times; like Renoir, for example, who I think was the best director, ever — are the people who didn’t want to make the kind of pictures that producers want to make. Producers didn’t want to make a Renoir picture, even if it was a success."

“Race hate isn't human nature; race hate is the abandonment of human nature.”

“It isn't worth it. No money is worth this... .”

“One should make movies innocently — the way Adam and Eve named the animals, their first day in the garden…Learn from your own interior vision of things, as if there had never been a D.W.Griffith, or a Eisenstein, or a Ford, or a Renoir, or anybody.”

“He was an onlooker at the clumsy, poignant suicide of "The Man on the Ledge," which took place in New York in 1938, when a boy perched for fourteen hours on a window-sill of the Gotham Hotel before plunging into the street. "I stood in the crowd outside for a long time," Welles says pensively, "and wanted to make a film of it all. But they tell me that in the Hollywood version of the film they gave the boy a reason for what he did. That's crazy. It's the crowd that needs explaining.”

“That doesn't make any sense. Sorry. There's no known way of saying an English sentence in which you begin a sentence with "in" and emphasize it. Get me a jury and show me how you can say "In July" and I'll go down on you. That's just idiotic, if you'll forgive me for saying so. It's just stupid... "In July"; I'd love to know how you emphasize "In" in "In July". Impossible! Meaningless!”

“I think I made essentially a mistake in staying in movies but it’s a mistake I can’t regret because it’s like saying I shouldn't have stayed married to that woman but I did because I love her. I would have been more successful if I hadn't been married to her, you know. I would have been more successful if I'd left movies immediately, stayed in the theatre, gone into politics, written, anything. I've wasted a greater part of my life looking for money and trying to get along, trying to make my work from this terribly expensive paintbox which is a movie. And I've spent too much energy on things that have nothing to do with making a movie. I'ts about two percent movie-making and ninety-eight percent hustling. It's no way to spend a life.”