"People are wrong when they say that the opera isn't what it used to be. It is what it used to be — that's what's wrong with it!"

“The Noël Coward Society”

“My dear Jim's dead...No dear, he jumped off Waterloo Bridge - Yes, the one next to Charing Cross - No, no, no that's Blackfriars.”

“Your motivation is your pay packet on Friday. Now get on with it.”

“Amanda: Extraordinary how potent cheap music is.”

“Wrongly attributed to Noel Coward is a quotation about the Queen of Tonga. He is alleged to have been sitting under cover from the heavy rain with Princess Marina, Duchess of Kent at the Coronation in London in 1953. Opposite them was the vast Queen Salote of Tonga. Princess Marina is supposed to have asked "Noel, who is that little man sheltering under Queen Salote's umbrella?" Coward is said to have peered through the rain and said "Oh, her lunch, my dear." In a later interview with Walter Harris, Coward revealed it had been said by someone at White's Club and was immediately attributed to Coward. "It was very flattering of course, except that I had intended to visit Tonga the following winter, and after that of course it was quite impossible.”

“Proceeding on the assumption that the reader of this preface is interested in the development of my musical talent, I will try to explain, as concisely as I can, how, in this respect, my personal wheels go round. To begin with, I have only had two music lessons in my life. These were the first steps of what was to have been a full course at the Guildhall School of Music, and they faltered and stopped when I was told by my instructor that I could not use consecutive fifths. He went on to explain that a gentleman called Ebenezer Prout had announced many years ago that consecutive fifths were wrong and must in no circumstances be employed. At that time Ebenezer Prout was merely a name to me and I was unimpressed by his Victorian dicta. I argued back that Debussy and Ravel had used consecutive fifths like mad. My instructor waved aside this triviality with a pudgy hand, and I left his presence forever with the parting shot that what was good enough for Debussy and Ravel was good enough for me. This outburst of rugged individualism deprived me of much valuable knowledge, and I have never deeply regretted it for a moment.”