"The history of the human race has generated several papers articulating basic moral imperatives, or fundamental principles, of human coexistence that — maybe in association with concurring historical events — substantially influenced the fate of humanity on this planet. Among these historic documents, the Universal Declaration of Human Rights — adopted fifty years ago today — holds a very special, indeed, unique position. It is the first code of ethical conduct that was not a product of one culture, or one sphere of civilization only, but a universal creation, shaped and subscribed to by representatives of all humankind. Since its very inception, the Declaration has thus represented a planetary, or global commitment, a global intention, a global guideline. For this reason alone, this exceptional document — conceived as a result of a profound human self-reflection in the wake of the horrors of World War II, and retaining its relevance ever since — deserves to be remembered today."

“The role of the writer is not simply to arrange Being according to his own lights; he must also serve as a medium to Being and remain open to its often unfathomable dictates. This is the only way the work can transcend its creator and radiate its meaning further than the author himself can see or perceive.”

“True enough, the country is calm. Calm as a morgue or a grave, would you not say?”

“A human action becomes genuinely important when it springs from the soil of a clearsighted awareness of the temporality and the ephemerality of everything human. It is only this awareness that can breathe any greatness into an action.”

“A year ago, we all were united in the joy over having broken free of totalitarianism. Today we all are made somewhat nervous by the burden of freedom. Our society is still in a state of shock. This shock could have been expected, but none of us expected it to be so profound. The old system collapsed, and a new one so far has not been built. Our social life is marked by a subliminal uncertainty over what kind of system we are going to build, how to build it, and whether we are able to build it at all.”

“Until recently, it might have seemed that we were an unhappy bit of mildew on a heavenly body whirling in space among many that have no mildew on them at all. this was something that classical science could explain. Yet, the moment it begins to appear that we are deeply connected to the entire universe, science reaches the outer limits of its powers. Because it is founded on the search for universal laws, it cannot deal with singularity, that is, with uniqueness. The universe is a unique event and a unique story, and so far we are the unique point of that story. But unique events and stories are the domain of poetry, not science. With the formulation of the Anthropic Cosmological Principle, science has found itself on the border between formula and story, between science and myth. In that, however, science has paradoxically returned, in a roundabout way, to man, and offers him — in new clothing — his lost integrity. It does so by anchoring him once more in the cosmos.”

“There is only one Art, whose sole criterion is the power, the authenticity, the revelatory insight, the courage and suggestiveness with which it seeks its truth. … Thus, from the standpoint of the work and its worth it is irrelevant to which political ideas the artist as a citizen claims allegiance, which ideas he would like to serve with his work or whether he holds any such ideas at all.”