"The world is changing and we are awakening. These statistics give us a numerical glimpse at the visceral dissatisfaction that most of us feel. Now is the time to express it. These corrupt structures cannot be maintained without our compliance. You could vote against them, if there was anything to vote for, but there isn’t, or you could stop paying your mortgage, stop paying your taxes, stop buying stuff you don’t need. When we, the majority, unite and demonstrate our new intention, we will be invincible. If we, who are complicit by our silence, become active and disobedient. This is a pivotal time in the history of our species. We are transitioning from an ideology that places power and responsibility in the hands of the few to one where we all collectively have power. It is important that we clarify, in a manner accessible to all, which institutions and systems are beneficial and which ones have to go. It is important that we propose ideas and systems that will be advantageous, like the handful in this book, and ensure that they are presented properly. When they are inevitably disparaged by the fearful enemies of change, we must remain unified and insistent. At this climactic time, we have no choice but change. This book, written by a twerp, with minimal interaction with brilliant thinkers and uncorrupted minds, demonstrates that. Now, what are you going to do about it?"

“Now I’m up at the front and Tall Bloke, Long Suit, is still Sieg-Heiling; women are still jiggling and beseeching. There is an unspoken acknowledgment that I am an interloper, that I am unlike everybody else there, neither Eritreanh or Ethiopian, and that there is a risk, therefore, that I am there to mock or judge or disrupt, and I’m capable of all those things.”

“I could see the room dividing as I spoke. I could hear the laughter of some and louder still silence of others. I realised that for some people this was regarded as an event with import. The magazine, the sponsors and some of those in attendance saw it as a kind of ceremony that warranted respect. In effect, it is a corporate ritual, an alliance between a media organisation, GQ, and a commercial entity, Hugo Boss. What dawned on me as the night went on is that even in apparently frivolous conditions the establishment asserts control, and won't tolerate having that assertion challenged, even flippantly, by that most beautifully adept tool: comedy.”

“All prophecies stripped of acculturation and geographic ornamentation seem only to be saying, “Journey within; look behind your feelings, beyond your pain; fashion your world from what you find there.”

“Generally speaking, when empowered as a community, or common mind, our common spirit, our common sense reaches conclusions that are beneficial for our community. Our common unity.”

“I don’t see myself as a yoga person or a man who meditates and prays and eats well and says “Namaste” or “God bless you.” I became that because I exhausted all other options. There was a point, I’ll admit, when I flung myself full force into an L.A. New Age lifestyle. I’d just got divorced, and a movie I wanted to do well didn’t meet my expectations. My response to this was to stop shaving and start wearing pajamas outdoors. That is relatively typical behavior for any lunatic; we see them everywhere—twitching, twisting, hollering at their imagined foes. The difference is I was doing it in Hollywood and my pajamas looked suitably ethnic, so I think I got away with it. Although my mates have subsequently told me they were worried and, thinking about it, they did drop hints like “Trim your beard, you look like a shoe bomber” and “Stop wearing them gap-year trousers, you fuckin’ nut,” but I was immune. A friend of mine, himself no stranger to mental illness, and that’s putting it lightly—he’s a right fucking fruitcake, living at his mum’s on disability benefits—said to me, “In India if you have a mental breakdown, they don’t build you back up again; they leave you in communion with God.” He then looked up, mimicking, I supposed, an Indian yogi, and raised his hands and eyes skywards as if he were playing a tiny accordion just in front of his hairline. “They say, ‘Ah, he’s in conversation with Brahman now,’ and they revere you. In this country they just give you a bus pass.”

“Could you imagine a wand that was not camp? Could you imagine, for example, Ray Winstone, with a wand? 'RIGHT OK. IT'S A KIND OF MAGIC, SIT DOWN.'”