"I was more qualified than most of the guys I was working with, which they hated. I’d come into work and there’d be a banana skin stuck to my overalls or a picture of a monkey on my coat."

“My sense of humour has always been quite in-your-face. I haven’t got that quintessential dry British humour, so my style fits in quite well...A lot of Americans have never been outside America. So if I’m doing something about Malaysia, say, I have to explain where Malaysia is and what the culture is before I go into the joke.”

“I just want to be the best friend who comes in, steals the scene, and bounces ...and then use that small amount of fame to sell out theaters and play to bigger audiences…So as we were starting to write the show, I kept saying to 'You know what? needs a funny friend ... a confidant.'”

“I’ve never had any of my specials aired anywhere on British TV. If I’d sat in England waiting for someone to give me a TV show, I’d still be there, being the token black face on Mock the Week. That, to me, is a slap in the face.”

“I wasn’t like every other comedian at the time because I was coming from a different perspective. I was an outsider looking in. And I was even different from all the other black comics on the scene because a lot of them were of Caribbean origin and a lot of their jokes were poking fun at Africans. So I got my first taste of success quite quickly just from being different. It was taking it to the next level that was difficult.”