"What is more, Bhimsen was as much at home in encapsulating the classical mode as in toying with the lighter variety of music. While his alap, bhadat and bandish in the classical mode sported a proportioned, balanced and serene majesty of the melodic range, the lighter Bhava Geet, Thumri, Abhang and Dasapadas were redolent with discreet lyrical flavour."

“His gifted voice could exfoliate the contrasting emotions of anguish and ecstasy with equal felicity; his impassioned rendition of both the major melodies like a Thodi or Kalyan in their multifarious variations and their minor counterparts like Bhoop or Abhogi with equal aplomb. In either case, one could only marvel at his unfailing deep, powerful and penetrating vocalism. Equally emphatic was the way he could throw away the values and sanctity of sweetness to unleash a flurry of rollicking bol-taans, an exquisite feat which was not easily fathomable by any other artiste in living memory.”

“Music challenged him and he pushed its boundaries.”

“Had I not been a classical singer, I would have loved to spend my entire life in a garage fine-tuning a Fiat or a Maruti.”

“One of the illustrious disciples of the famed, Kirana Gharana, hallowed by such great luminaries like its styliser Abdul Karim Khan and his own legendary mentor Rambhau Kundagolkar, better known as Sawai Gandharva, Bhimsen by his stentorian vocalism lent a new dimension to the gharana.”

“The legendary vocalist Bhimsen Joshi emerged from those remarkable days when creative processes were marked by diversity of thought and emotion.”

“...his chiselled style was an amalgamation of the very best in the tradition of Hindustani classical music, nay music in its fullness, a musical inheritance that goes back to the all-time greats like a Thansen, a Tyagaraja or a Beethoven.”