"Half of me wants to be this difficult, rebellious enfant terrible who is pissing everyone off and doing whatever I want to do, and the other half of me is this Jewish kid from Chicago that just wants everyone to like him and hates conflict and hates yelling and wants everyone to get along, and be nice. That’s the part that’s very Chicago."

“What is amazing about the story is that the most fantastic things that occur, that people most don't believe, are absolutely true — like the Soviet mole that they allowed to operate within British war intelligence — that was all true. … We condensed the timeline, essentially. The process of breaking the code was enormously complicated in real life. So one of things we wanted to do was open up Turing's story to the audience and make a film about these complicated topics, but at the same time create a narrative that the audience understands, without insulting their intelligence. But the on a broad conceptual level, everything is true.”

“Here’s the thing. Alan Turing never got to stand on a stage like this and look out at all of these disconcertingly attractive faces. I do. And that’s the most unfair thing I’ve ever heard. So in this brief time here, what I wanted to do was say this: When I was 16-years-old, I tried to kill myself because I felt weird and I felt different, and I felt like I did not belong. And now I’m standing here — and so I would like this moment to be for this kid out there who feels like she’s weird or she’s different or she doesn’t fit in anywhere: Yes, you do. I promise you do. Stay weird, stay different — and then, when it’s your turn, and you are standing on this stage, please pass the same message to the next person who comes along.”

“I’m not gay, but I don’t think you have to be gay to have a gay hero. Growing up, Alan Turing was certainly mine. … I’m also not the greatest mathematician of my generation. We have lots of biographical differences, but nonetheless I always identified with him so much.”