"I think it's possible to be too quick-witted, too smart to be an actor. You have to turn off a lot of your brain, in a way. When you see a fellow actor just missing it, it's hard to keep your mouth shut, but you have to. Or see a director so stupid he couldn't direct vomit into a paper bag. And he's in charge, and it's really hard to keep your mouth shut."

“Stephen King writes a lot of things that are really charming and quirky, and that are more ironic than horror.”

“It sure is boring to be around people who are in character all the time. I always find it's closer to mental illness than acting excellence.”

“I don't understand it completely … but she adores me. She thinks I'm funny. … My attitude towards communication has always been: it's a slippery slope, because you start communicating, the next thing you know you're going to be talking to each other, the next thing you know you're going to be feeling things, and then you'll be living your life and I want no part of that. … So I tried to avoid that stuff, but she forces it upon me.”

“People have said, in one form or another, your diction is too good. At first you think, are you insane? And then I realised, I spent so much time in the theatre, and Mamet was such a stickler about that and I am, too – that I had been spoilt. It's a cute acting trick, this whispering, mumbling thing. I realised a long time ago, when people are mumbling or whispering they're either talking about sex, or money, or lying. So if you're not doing that, you'd better speak up.”

“I could become a hermit if I'm not careful; I like that. When people on Facebook say stay in touch – I don't want to stay in touch. I don't want anyone to know where I am.”

“To see your own visage up there, it's terrifying. I have to see a film twice, the first time just to get over the shock: the fact that my face seems to be dripping off my skull into my chest.”