"My audience and the stories that I tell are African-American stories specific to a certain audience, specific to a certain group of people that I know, that I grew up, and we speak a language. Hollywood doesn't necessarily speak the language. A lot of critics don't speak that language. So, to them, it's like, 'What is this?"

“I have to thank Eddie Murphy, 'cause after I saw him do the Klumps , I said, "I'm going to try my hand at a female character." It was the brilliance of Eddie Murphy. I need to write him a check. Say thank you”

“My father who was there in the house, he wasn't at all a role model…And my mother who was trying to protect me from him as best she could, she took me everywhere with her, which gave me a tremendous amount of sensitivity to the things women go through. ... I would spend more time at the laundromat and Lane Bryant than any young boy should. I'm speaking from the little boy who's at her apron, looking up at the world and seeing all that I'm seeing these women go through.”

“What I know beyond a shadow of a doubt is that God is with me. I know that. I know that He's always been with me. It is evident in everything I have endured—and the fact that I made it through with some sanity.”

“Those audiences are my critics. They tell me right away! I learnt very early on how far I can go, what I can and can’t say on stage. They inspire the stories that I tell, and how I tell them. It has to be something that the core can relate to. And what I’m finding is that if you serve the core, it grows, and you find a whole new audience.”

“I didn’t want to be the kind of man that my father was. So I’ve tried, my entire life, to be the complete and utter opposite of that. And it has served not only the art well, but I think the audience well.”

“That has never been heard of in the history of television. It takes a week to do a sitcom in Hollywood. I do a show a day in my studio, three or four shows a week. So what takes most shows eight years to do, we do in a year”