"Once you wrap your brain around playing your age, it's a very, very positive thing…"

“When I did La Bamba and Stand and Deliver, I marched with Cesar Chavez and fasted with him. Whatever I have directed, I've flipped roles to be more inclusive of ethnic, female and LBGQ performers. This is a flag I've waved from the beginning. I got into the door and kept my foot in it so others could come in behind me.”

“My overall philosophy was to continue to do good work, to expand my range, and to show that range. I think Hollywood can certainly try to put you into boxes. My entire career has been somewhat of a reflection of my college theater experience, and that was, I did everything. Not only did I do Shakespeare and Molière, but I did Mamet and John Patrick Shanley; contemporary playwrights. I was writing in college, I was directing in college, and when I got to Hollywood, I tried to continue that. I think my first three roles in Hollywood are somewhat indicative of that. You’ve got 'La Bamba,' then 'Stand and Deliver,' then 'Young Guns.' All three films are very different, and all three characters are extremely different.”

“I have never felt that Hollywood is mine, and I've never felt like the King of Hollywood. I've always felt lucky to be included... to be invited to the party. I guess because I've never expected my career to be as successful as it has been – I'd still be acting for free in Dallas, Texas if La Bamba had never come along. This has always been my love and my passion – my work – and so to be doing it at the level I'm doing, I'm quite happy…”