"It is impossible to maintain one's composure in this situation. What am I doing here? — especially considering the extraordinary group of women with whom I was nominated. We five women were fortunate to have the choice, not just the opportunity but the choice, to play such rich, complex female characters. And I congratulate producers like Working Title and Polygram for allowing directors to make autonomous casting decisions based on qualifications and not just market value. And I encourage writers and directors to keep these really interesting female roles coming — and while you're at it you can throw in a few for the men as well."

“I was never that involved in the machine of press and publicity as an actor because I’ve always kind of worked on the margins of my profession … And then when my son was younger and it did get a little bit more intrusive, I tried to come to terms with how I was personally going to handle someone coming up to me on the street and wanting some part of my time. … Now what I do — because this is how I live — when someone approaches me and says, "Can I have your autograph," I say: "No, I’ve retired from that part of the business. I just act now." … I say: "What’s your name?" … I touch them. I look at them. I have a real exchange … I’m not an actor because I want my picture taken. I’m an actor because I want to be part of the human exchange.”

“My politics are private, but many of my feminist politics cross over into my professional life. Because I portray female characters — so I have the opportunity to change the way people look at them. Even if I wasn’t consciously doing that, it would happen anyway, just because of how I present as a woman, or as a person. I present in a way that’s not stereotypical, even if I’m playing a stereotypical role. … I can’t subtract that from myself anymore. I could when I was younger. … That’s another great thing about getting older. Your life is written on your face.”

“We’re avant-garde. It doesn’t mean we have to be unhygienic.”

“I don't show up all the time. I only show up when I can and when I want to, but I was there at the Golden Globes and it's almost like there was an arc that started there. It doesn't end here. But I think publicly — as a commercial — but I think that the message that we're getting to send to the public is that we're going to be one of the small industries that try to make a difference.”

“I just found out about this last week. There is — has always been available to all — everybody … that does a negotiation on a film, an "inclusion rider" which means that you can ask for and/or demand at least 50 percent diversity in not only the casting, but also the crew. And so, the fact that we — that I just learned that after 35 years of being in the film business … we're not going back. So the whole idea of women "trending" — no. No "trending". African Americans "trending" — no. No "trending". It changes now, and I think the inclusion rider will have something to do with that.”