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"I have gone to the set and you’re kind of around in this—it’s kind of combat writing when you do rewriting and stuff, and I feel like it’s a kind of ambulance chasing. Recently, I did this kind of a where you go, “Oh, my God, it’s bleeding from the second act. Quick! Quick! Give me a suture! No, give me the paddles! This is the third act that’s having a heart attack!! The star is coming! The star is coming!" And it's this incredibly intense process!"
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