"During this period I was constantly preoccupied with the analysis of every film, which I saw, and in considering whether I could make them here. There was no doubt whatsoever about the utility of the profession and its importance as an industry...this was the period of the Swadeshi movement and there was profuse talking and lecturing on the subject. For me personally, this led to the resignation of my comfortable government job and taking to an independent profession. I took this opportunity to explain my ideas to my friends and leaders of the Swadeshi movement. Even people who were familiar with me for 15 years found my ideas impracticable."

“As Gandhi refashioned the world of protest, another man was reinventing story telling. In 1913, Dhund Raj Govind Phalke or Dadasaheb Phalke as he came to be later known as, made the first full length feature film Raja Harsihchandra. Within seven years there was a regular film industry functioning in the country with Bombay as its main player.”

“He produced, directed, processed and did everything to make the first Indian feature film Raja Harishchandra. Unlike most film makers of those days, Phalke did not have the westernized audience in mind. His vision was to use the medium to narrate an Indian story to the audience.”

“The inspiration for the film came from Dadasaheb Phalke. His adventure of film making is the basis of the film, says Paresh Mokashi, director and writer of the film. Harishchandrachi Factory — which faced competition from 15 films including New York and Delhi 6 — captures the first two years of Phalke's cinematic career. The two-hour-long film starts with Phalke giving up his printing business after a fight with his partner. Soon, he accidentally comes across a tent theatre, screening a silent film. An awestruck Phalke decided to make a film and was encouraged by his wife and two enthusiastic children. The Oscar-nominated film ends with Phalke delivering Indian film industry's first hit using his advertising acumen.”

“He brought the first movie camera from Germany, but nobody knows what happened to it afterwards. Maybe it is lying with some antique collector. There were absolutely no film-making facilities - production or distribution - available as people believed films had no future. But, whatever he did from scratch set a precedent for the future generations of film-makers.”

“While the film Life of Christ was rolling past before my eyes I was mentally visualizing the gods, Shri Krishna, Shri Ramachandra their Gokul and Ayodhya.. I was gripped by a strange spell. I bought another ticket and saw the film again. This time I felt my imagination taking shape in the screen.Could this really happen? Could we the sons of India, ever be able to see Indian images on the screen. The whole night passed in this mental agony.”

“Son, I don't have money even to buy poison.Please help –”