"I always fall in love with someone while I'm working in a film. It's a joy to get up in the morning. Sometimes when I'm not infatuated, I just make things up in my mind. Making a film is such an intense thing. You're eliminating everything in your life and you're absorbed into the world of the movie. It's exciting. It's like somebody saying you have an illness and you only have this short time to live. Then you live it that life is over with. Good-bye. You never see any of the people again. But meanwhile you have this short life in which you can do and feel and fantasize about all kinds of things because you know it will soon be over. So I always fall in love. Then you slip out of it, like a skin you take off, and you're naked and you're cold but it's exciting because there is going to be something new. My relationships are as intense and as giving and as short as my parts are. I would pump everything into a person. I would give my left arm that it was for life, but it dies so shortly. And when it dies, it doesn't even leave traces. The relationship vanishes into space. When I finish a part, it's the same feeling. I leave people and people leave me, I leave parts and parts leave me. I say it is 'the flow of life,' but it affects me terribly. Every once in a while I have such a breakdown, question every move."

“My mother and I have this really strangely close relationship. No other relationship can come close to it. It's frightening. Even when I'm in a relationship with a man, I compare it to my relationship with my mother. She is a friend, but she is still a mother, and everything a mother needs to be, she is. She is really observing and caring and doesn't want anything but giving because it's her joy. Even when I can't bear anybody, not even myself, she 's like the sun coming up to me. She dedicated all her life to me. Sometimes I feel that she gave her life to me and now it's my job to maybe take her somewhere. But what is it she doesn't know? She knows things I couldn't begin to know. Yet she is so fresh with ideas which I already take for granted. She sometimes wakes me up and says, 'Don't you see?' and she makes me see and feel things again. Nobody, not my father, not anybody, has done that for me, except movies.”

“With the passage of time, I guess my priorities have changed and so have the parameters on the basis of which I decide to do a film. Today I look for a lot more mature roles, with a lot of substance. I want to do different things, or rather -- things differently.”

“In the past directors have always portrayed me as this strange girl who hardly talks but who has a great effect on people. They don't give me a chance to do something more, let more out of what is inside of me. The time is only coming up now when I feel I can open up. I have been almost a creature of these directors' imaginations. I guess that is what they saw in me and why they picked me. But if I was an object at moments in movies, I was also alive. I wasn't dead. I always gave everything I could while I worked. I could give maybe more today, but I gave what I could then.”

“For everything that you do, there are people who appreciate your work and then there are those who don't. I think very few people have the guts to be sure of what they are doing, believe in it, and then go ahead and do it, irrespective of what people think.”

“My father is so expressive that things he feels even before they are thoughts are visible on his skin. He heats up. What other people work on, he was born with. He's got eyes like the sky and like hell at the same time. They're so clear and blue and alert and serious, and then they're like hell. That's how he is. He is total light and pureness and then hell. He gives totally or he gives nothing. He is like the sun, then an iceberg, then nonexistent, and then the sun again. Which is fine. It's a lot better than most people are.”

“It started out as a light romance, but he became demanding and possessive.”