"I've come here to tell the most exciting story in the history of mankind: the life of Jesus Christ. I'm not talking about the Jesus in those horribly gaudy pictures. Not the Jesus with the jaundice-yellow skin - whom crazy human society has turned into the biggest whore of all time. Whose corpse they perversely drag around on disgraceful crosses. I don't mean the jabbering about God or the blubbering hymns. I don't mean the Jesus whose moldy kiss frightens little girls out of horny dreams before their First Communion and then make them die of shame and disgust when they foam in the latrines. I'm talking about the man: the restless man who says we have to turn over a new leaf all the time, now! I'm talking about the adventurer, the freest, most fearless, most modern of all men, the one who preferred being massacred to rotting with others. I'm talking about the man who is like what all of us want to be. You and I."

“I don't know how this will end. All I know is Nanhoï's love. My son is my life. I believe in the magic of this love. He is the embodiment of life to me. The embodiment of beauty. Through him I'll find redemption and salvation. Then the wound in my soul - the wound I thought would never scar over - will stop bleeding. I thought I would have to tear it open once it began to heal. Back then, when I felt I couldn't stop being what is called an actor, when I told myself I was only doing it for the money and that it could be worse. Now, today, I'd rather be poor, but without nightmares and without the torture. If only I could! I wish I'd never been an actor! I wish I'd never had success! I'd rather have been a streetwalker, selling my body, than selling my tears and my laughter, my grief and joy.”

“His speech is clumsy, with a toadlike indolence, long winded, pedantic, choppy. The words tumble from his mouth in sentence fragments, which he holds back as much as possible, as if they were earning interest. It takes forever and a day for him to push out a clump of hardened brain snot. Then he writhes in painful ecstasy, as if he had sugar on his rotten teeth. A very slow blab machine. An obsolete model with a non-working switch — it can't be turned off unless you cut off the electric power altogether. So I'd have to smash him in the kisser. No, I'd have to knock him unconscious. But even if he were unconscious he'd keep talking. Even if his vocal cords were sliced through, he'd keep talking like a ventriloquist. Even if his throat were cut and his head were chopped off, speech balloons would still dangle from his mouth like gases emitted by internal decay.”

“Westerns. One after another. They get shittier and shittier, and the so-called directors get lousier and lousier. And the more incompetent they are, the more hostile they act.”

“He's a highly talented guy. He does very good movies and he's not the sort of person who always talks bullshit. He does many, many things right. But he's also sick. Obsessed. He wants to make history, not movies. Anyone who wants to make history is stupid.”

“People call me an "actor". What's that? In any case, it has nothing to do with the shit that people have always blabbered about it. It's neither a vocation nor a profession - although it's how I earn my living. But then so does the two-headed freak at the carnival. It's something you have to try and live with - until you learn how to free yourself. It has nothing to do with nonsense like "talent," and it's nothing to be conceited or proud of.”

“I never said money is freedom! I said money buys freedom. BUYS! What does that mean, money is freedom? This is ridiculous: Money is freedom. It means nothing. What do you think, that a dollar in a savings account is freedom? Maybe you have understood nothing I have said. You are trying to make me sound like an American average citizen.”