"The way Miramax handled it was B.S. There were a lot of crossing political agendas going on, and the reasons in the press weren't entirely true. It was like 'Are we seeing the same movie here?' I've always thought it's better to get people talking about the issue of school violence as opposed to trying to pretend it didn't happen."

“I definitely worry about that. I think about it all the time because that's the way Hollywood thinks. It's all about momentum and keeping your name out there, and college certainly takes you away from that. But, if I look at it in the longer term, it's so worthwhile.”

“I always loved how people like Jon Voight and Laurence Olivier shocked you every time they came on-screen. They were so different each time. That's what I hope to do with acting — be the chameleon and not get stuck in a type.”

“She's not your typical cheesecake pinup girl. She's beautiful and talented and has the mouth of a truck driver when necessary.”

“Being an actor is looked at like a prolonged game of dress-up. America puts movie stars on pedestals. In college, it's the flip side. I sometimes have to justify my job to my professors because they're focused on intellect and ideas.”

“Playing Paula in The Business of Strangers was extremely cathartic and wonderful for me because Patrick Stettner constantly encouraged me to be un-self aware. The character is very elusive and bold, but my experience of having people confuse bluntness with bitchiness has made me shy away from it, or it has made me too aware of the reactions I get from people. So Patrick undid all that by telling me to ignore what the response might be to Paula. It was almost like being a kid again, and it was a very empowering feeling.”

“I tend to gravitate toward the more powerful roles. As opposed to the doe-eyed girl who bats her eyelashes and runs around in towels, you now what I mean? Because that kind of makes me want to vomit.”