"…White people playing people of color is not new; what is new is people of color are now own their own authenticity. White theater was created to reflect their audiences and white theater must deal with . … I think it’s about what the story requires, and what happens when you cast someone who could not be believable and who could not tell that story…"

“I did, not only because of that, but also because there was no value placed on education in my family. My mother just assumed I was smart, and I had glasses so I was called “four eyes,” and I was always reading a book, and so the outsider feeling came from the fact that I really loved school…”

“Sometimes you feel where it was trying to go down. There’s a residue feeling and so it lasts a little bit longer. Even after you stop choking, you still feel it inside your throat. There’s something about theatre where I want to not be able to get up, walk out and go: ‘Oh, that was nice,’ but really have to engage with it as I go home and think about it and work over what I felt about it. That’s the type of theatre I like.”

“Both of them come from birth. I was born black and gay. I was not socialized to be gay. I always knew I was different; I was always interested in something that a lot of kids were not into…”