"was a very quiet woman, très réservé, but not in a snobbish way. She was very, very lovely. I worked together with her again, on Aristide Massaccesi's RITORNO DALLA MORTE, a Frankenstein movie made in 1992. She worked as a costume designer. This was another instance where I said something wrong: I told her how terrible it was that Tinti was dead, him being such a nice man...She had to rush out of the room because she was overwhelmed by her feelings for Gabriele."

“A guy once told me, I didn't know you went to South America. I said, I've never been to South America. But I saw you in a film , with snakes and every damn thing...That was Croce Verde.”

“was the most conceited actor I've ever worked with! He is rich, successful and handsome...good Lord, why does he act that way? He doesn't want anybody near him! If there was anything or anybody that might have taken the eyes of the spectator off of him, he just went to the director and complained, as if he didn't already have enough screen time! Murray Abraham was so different, such a nice man...And there was one brilliant German or Austrian actor on this movie who looked like Falstaff, big, fat guy, a marvellous presence. Helmut Qualtinger was his name. He was terrific!”

“was a very good-looking fellow, all the girls went crazy for him, and a good actor at that, but he, like others I used to work with, seemed to be self-conscious and nervous, for no discernible reason. I mean, these guys were famous and successful. But they often behaved like little girls when it came to things like, Why is he getting a longer close-up and I don't, stuff like that. I mean, this may be important when this one close-up is all the screen time you have, but they are the leading players, so why do they behave that way? I never understood that...”

“was very nice, but I remember, when we talked to each other, she behaved like a verginella, a little virgin, you know, always avoiding sex in conversation. She did sex movies, you say?”

“Because I was stupid, I said, To hell with it, and I joined a drama school. "a nitwit, who had read a few books on the Actor's Studio and was very much into analysis, instead of teaching us how to walk and talk!”

“My father was a magnificent Irishman with a Barrymore profile and the physique of a boxer.”