"I suppose my mega heroes are the films of Michael Powell and Sam Peckinpah. I would have loved to have looked over their shoulder. I’m a bit of a cinephile. I love cinema. It’s an amazing medium. I can go and watch anything from very, very arty films to huge Hollywood spectaculars and everything in between."

“I love films, I eat, sleep and drink them, and genre definitely had a huge impact.”

“The pure emotion, from a very early age, of seeing a film and feeling it take you over like a high... At first it was all the things I loved as a kid -- James Bond films and Spaghetti Westerns and things like that . Then I started discovering the masters and finding out which films spoke to me and when they did -- the total immersion, the experience of being taking to another world for a couple of hours, opening your mind to new things and ideas on such an emotional level. How could you not fall in love with that?”

“I think when you’re shooting on such a tight budget and schedule, the insanity and the energy and the sense of spirit is what makes the experience unique. Ten percent more isn’t going to make enough of a difference and anything that would — double the budget, triple the time — then you’re making a different kind of film.”

“The core idea was to be as realistic as possible and we wanted people to identify with the characters.”

“Donkey Punch is a very extreme, real-world thriller – it’s about characters and events that are based in reality and it pushes them into very dark and extreme situations where they have to do things that they would never have imagined. The film shows all this quite realistically and doesn’t pull its punches.”

“Nic Roeg inspires me. He’s one of the greatest British film directors. His work is bold, challenging, cinematic and full of mesmerising ideas.”