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"I was unaware really of the importance of it at the time, but I was asked to go for an interview, which I did, and I was the first person that Mick Jackson saw for the part. And I went looking rather radical, because I thought "oh, it's about nuclear war", you know, and I'm a very radical person, so I kind of went wearing my sort of "combat gear" which was very "in" at the time. And it was really strange, because afterwords, when I got the part of Ruth, who turned out to be a very fragile sort of a person, I was surprised and he said having been the first one, he saw me for the part. He obviously saw something in me that was, I don't know, vulnerable, maybe. It was the only time I've ever said to a director "I would really like a part in this, regardless of what that part may be", because I knew that the content would be close to my heart."
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"We are told that Shakespeare's plays were generally performed in barns and that no great trouble was taken over the production. The constant changes of scene which, incidentally, seem the sign of a de…"
— Eugène Delacroix
Art1798–1863
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