"Since at this time I was still very much in a quandary over religious faith, I placed my two opposing beliefs side by side, allowing each to state its case in its own way. In this manner, a virtual cease-fire could exist between my childhood piety and my newfound harsh rationalism. Thus, there are no neurotic complications between the knight and his vassals. Also, I infused the characters of Jof and Mia with something that was very important to me: the concept of the holiness of the human being. If you peel off the layers of various theologies, the holy always remains."

“Film has dream, film has music. No form of art goes beyond ordinary consciousness as film does, straight to our emotions, deep into the twilight room of the soul. A little twitch in our optic nerve, a shock effect: twenty-four illuminated frames in a second, darkness in between, the optic nerve incapable of registering darkness. At the editing table, when I run the trip of film through, frame by frame, I still feel that dizzy sense of magic of my childhood: in the darkness of the wardrobe, I slowly wind one frame after another, see almost imperceptible changes, wind faster — a movement.”

“Bergmanorama: The magic works of Ingmar Bergman”

“I stick to what I know. If I've objected strongly to Christianity, it has been because Christianity is deeply branded by a very virulent humiliation motif. One of its main tenets is 'I, a miserable sinner, born in sin, who have sinned all my days, etc.' Our way of living and behaving under this punishment is completely atavistic. I could go on talking about this humiliation business for ever. It's one of the big basic experiences. I react very strongly to every form of humiliation; and a person in my situation, in my position, has been exposed to whole series of real humiliations. Not to mention having humiliated others!”

“For me he's just a hoax. It's empty. It's not interesting. It's dead. Citizen Kane, which I have a copy of — is all the critics' darling, always at the top of every poll taken, but I think it's a total bore. Above all, the performances are worthless. The amount of respect that movie's got is absolutely unbelievable.”

“Well, we're grasping for two things at once. Partly for communion with others — that's the deepest instinct in us. And partly, we're seeking security. By constant communion with others we hope we shall be able to accept the horrible fact of our total solitude. We're always reaching out for new projects, new structure, new systems in order to abolish — partly or wholly — our insight into our loneliness. If it weren't so, religious systems would never arise.”

“Ingmar Bergman : Face to Face (Official site, by The Ingmar Bergman Foundation”