"The Terry Gilliam Files - Interviews and behind-the-scenes production stories"

“We were devastated. We spent the whole day — Amy Gilliam, Nicola Pecorini, the director of photography, and myself — lying flat on the floor. Heath Ledger's dead, and you don't quite get over that. I suppose I'm in an interesting position because while I'm cutting the film I'm basically working with him every day and he's fine; he's in good shape. Ideas are floating around. Then finally we decided, 'OK, let's get three other people to take over the part'. And we were lucky because we have a magic mirror in this movie. Not every movie has a magic mirror. So you can very genuinely say that these other actors are different aspects of the character that Heath plays. And it works. The point was, we've got to keep going. It was a bit like half being there, but apparently on autopilot I can still do a few things.”

“Terry Gilliam: BAFTA A Life in pictures”

“Senses of Cinema: Terry Gilliam”

“I’ve always liked gossip, gossip is fun, but whether you believe it or not is something else, and yet the web seems to want to believe. The web doesn’t distinguish between what’s playful and serious. And the speed! What is happening in the web, and all the tweeters tweeting, they become neurons. They are the neurons of the global village. Village is the right word because the village is where the gossip is taking place, it doesn’t take place in the cities. A piece of information comes into that little neuron – whoop – and they’ve immediately got to pass it across the synaptic gap…”

“The Brothers Grimm came along and I was so desperate for work … Actually I've got to say that I like the movie, I won't apologize for it.”

“In the end, people have to learn to live together. That is what I didn't like about America — it is so homogeneous. I like places where there are people who are different culturally, physically, in every way. And I like to see how they succeed in living together.”