"Well, my greatest reward, I think, is that I've been able to build this wonderful organization. I've been able to enjoy good health, and the way I feel today, I feel like I can still go on being part of this thing after forty some odd years of business, and also, to have the public appreciate and accept what I've done all these years. That, that is a great reward. … Well of course, happiness is a state of mind. You can be happy or you can be unhappy. It's just according to the way you look at things. You know. So I think happiness is contentment but it doesn't mean you have to have wealth. But all individuals are different. Some of us just wouldn't be satisfied with just carrying out a routine job and being happy. Yet I envied those people. I had a brother who I really envied because he was a mailman. But he's the one that had all the fun. He had himself a trailer, and he used to go out and go fishing, and he didn't worry about payrolls and stories and picture grosses or anything. And he was the happy one. I always said, "He's the smart Disney."

“That’s a pretty sexy little girl, Ollie.”

“During the last few years, we've ventured into a lot of different fields. We've had the opportunity to meet and work with a lot of wonderful people. Our only hope is we never lose sight of one thing: that it was all started by a mouse. Now, that is why I want this part of the show to belong to Mickey, because the story of Mickey is truly the real beginning of Disneyland.”

“That's a 30-year-old woman you're bringing me.”

“All you've got to do is own up to your ignorance honestly, and you'll find people who are eager to fill your head with information.”

“Faith I have, in myself, in humanity, in the worthwhileness of the pursuits in entertainment for the masses. But wide awake, not blind faith, moves me. My operations are based on experience, thoughtful observation and warm fellowship with my neighbors at home and around the world.”

“Mickey Mouse is, to me, a symbol of independence. He was a means to an end. He popped out of my mind onto a drawing pad 20 years ago on a train ride from Manhattan to Hollywood at a time when business fortunes of my brother Roy and myself were at lowest ebb and disaster seemed right around the corner. Born of necessity, the little fellow literally freed us of immediate worry. He provided the means for expanding our organization to its present dimensions and for extending the medium of cartoon animation toward new entertainment levels. He spelled production liberation for us.”